In ancient Chinese literature, beauty does not mean revealing, but the indistinction between truth and falseness.
To us, spatial aesthetics are just like that as well.
In this project, the walls, the emptiness, the depth, and grain from surface carving makes spatial users have more expectation for the gradation of visual depth of field.
「山石為主，古木為輔」的設計靈感，流轉自然材質的切割重組，徐徐展開，同時以量體設置和空間穿透的設計，注入儒雅雋永的東方意境，彷若一幅濃淡有致、氣韻遼繞的中國山水畫，置身其中，自然坐擁寧靜幽遠的氛圍。
